We should think about the exhibition. Not about the content. Contentorary artist not contemporary. To be an artist If you think about he exhibition, you are a contemporary artist, but, if you are thinking about the content, you are a contentorary atrist. Někam se dostáváme. Dojdou nám piva. Music helps. Music is connective. I have kulajda at home. Should we speek about the food? Food in the exhibition. We are speaking. Eight yours of each of your time. This is the result. Everybody is spending eight hours in this space. There should be multiple tasks. Jsi taková písařka. We need a drink. You dont have to worry. Its the question of documentation. There should be enrolled someone to document it. Whithout documentation. The actual pictures of people doing nothing. Take the whole eight hours and put it on the wall. Here we are in sixtees. I dont care about what time of period is it. Documentation is a very open form. It was ten minutes ago, and I missed it. Are we just fucking this exhibition? I am the most responsible. Is it work? Is it serious? Is it contetary? Is is? What is the final result of you meeting? We will tell you. I dont know. I think. The eight hour thing I think. This meeting is about eight hours to each. We started with it. Do you want 24 hours? It is too much. We have to reach to documentation of it. You want to say that everybody have to have a video. We can photograph or paint. We can choose some media we can work with. This is too difficult. Silence is not a medium. We should choose a media. We dont have to use it. Video. Video is good. We should do it. It is all I am saying. If we have video. The go pro goes. Then you would act. Then we are in trendy medias. She is the black Peter. There should be some documentation. We do our thing. I really dont understand go pros. It is not about go pro. Maybe someone will hide it. If the result is important? It is not really important. If there will be certain Image? Static or moving? My question is jestli vůbec? Oral history? Oral history is super cool. On the end of the opening, there will be be sitting seven people talking about what happened during their stay. If it is a problem we need a video. This is a problem. It is a causality of remeslo. It is problem of art. It is problem of you. Art doesent care. Is the medium important? No, but on the other hand yes. Then you can see the diversity more than whatever oral. Can you draw diversity? Medium is the message. Fiftees, but still sexy. Department of sexy installations. I think we choose a medium which will be the message. Photography is everything but not a moving image. Whatever image. Still image. Whatever image. Still images. Better than oral history. You can use your oral history through a moving image. It is written history. Of there should be the results of the seminar works? Can be the combination of curtains and everything. What about such a wall? We will lock the visitors for eight hours in here. Visitors and exhibitors and curator will have a fight. Show us your schema. What about the oral wing? We cant mix moving image with oral. We can mix it, but i dont know how now. We have to agree on something today. If to spent eight hours in here or not? Thats the question? Alone or separately? The problem is documentation. We forgot about the viewer. He is alone, he is bored. Tady se to dostává do dost blbejch slepejch uliček. Jako když neumíš vyřešit matematickej příklad a pak si vezmeš jinou propisku. If we will documantate, you can separate the image. We all decided that the event is more about the opening. It should be connected to the videos. Everyone should have the role. I still feel there is no evidence. I dont trust to pictures. We shloud be the same schematic in the form. Eight minutes? So lets do it. The biggest shortcut is photography at all. The biggest challenge is one image. You have eight hours to take one image. What if it is not sexy? It is not sexy at all. I like when it is not sexy. Lets be the same schematic. We are fucked. I feel like what i saw in bienalle. What if the schema is eight and other schema is image? Is it too abstract? It makes the biggest pressure. We are thinking too much about the result. How do we interpretate one still image in eight hours? This is what I am saying. Is material versus the final? We are in the context of product of eight hours. This is the two different things. Everyone feels that he has to take a good pictures. It should be open. We should think more about the event. Buy some food? Some activity. We will decide it afterwords. We need to figure out what is the situation we can be more open. We can try to choose the eight hour shift picture. What will happened in this eight hours? We should record everything. We should have documented this process. Will we be private or public? I think it should be strictly separated. Are we going to make some schedule?
Work and leisure Between the time people, who smoke, are at work and enjoying their time of leisure, their smoke “breaks” are a strange in-between of the two aspects in their lives. A smoke break gives people a small time of leisure but the anticipation of going back to work keeps them in the state of work. A smoke break combines the two states and creates a grey area in the black and white states of work and leisure.
Autorské výstavy jsou realizovány ve formátu Prototyp Events, které jsou událostí s živým prvkem experimentu, performance, workshopu, prezentace, koncertu nebo promítání v návaznosti na činnost umělce. Odpolední Events jsou příležitostí nahlédnout práci umělce v různých úhlech a zažít ji bez institucionální bariéry, jsou sestaveny z několika akcí, které doprovázejí samotnou výstavu. Nově vzniká k jednotlivým akcím dokumentární blog, který je jejich paralelním přepisem na web, ve foto-prezentaci představí umělci svou práci na pozadí každodenního provozu a běžných povinností. Pro kurátorské výstavy je tento blog zamýšlen jako rozcestník k tématu.
Eva Jaroňová pochází z Valašska a vystudovala Fakultu výtvarných umění v Brně. Věnuje se především ilustraci, malbě a hudbě, příležitostně také instalaci, videu a designu. Vydala autorskou knihu Škůdci, která je vytištěná experimentální formou sítotisku a risografu a obsahuje stejnojmenný komiks. Autorka publikuje své ilustrace například v časopisech Živel, Čilichilli, Artmap, na serveru Artalk, ilustruje knihy nakladatelství Tribun. Mezi její hudební aktivity patří elektro-popové projekty ◊>≈ (PzH) a No Fun at All in the House of Dolls a lo-fi punkové trio Sitcom. Má dvouletého syna.